Many of these patterns have been stitched and may be viewed in the Fabric Art section of theTreasure Chambers MuseumA complete list of all B&B patterns may be downloaded HERE
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NOTE:
All pattern files are zipped and include an image of the pattern.
Patterns may be viewed or printed using the free Hobbyware Viewer, or the Patternmaker software. The Hobbyware Pattern Maker Viewer may be downloaded HERE. (zip file) This
pattern format is compatible ONLY with PC/Microsoft Windows-compatible computers.
For use on other systems, graphic and image files of the cross stitch charts are available upon request. For information or assistance, please email:  |
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 | Forever
Spiral Staircase
Cross Stitch Pattern Size: 136w X 114h 28 DMC colours |
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 | Pumpkin
Spice Cross-Stitch Portrait #992 96w X 134h count 6 DMC colours Black canvas Download the zip file HERE |
 | Vincent and Catherine Clock Face 145 x 145 count on 18 count canvas 15 DMC colours Download the zip file HERE (designed for an 8" quartz clock assembly or kit) Fits standard 8 1/2 inch flexible embroidery frame:  |
| Mini Portraits 43w X 63h count Done on 22 count canvas, these fit a mini frame and measure about 2" x 2 3/4" (5cm X 7cm) |
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#0953
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0932 Sunrise Vincent - compact 98w X 115h 50 DMC colours Download the zip file HERE |
0928 A Distant Shore - compact Based on a Clare Sieffert painting 95w X 128h 52 DMC colours Download the zip file HERE |
0933 Masques - compact based on a Clare Sieffert painting 100w x 78h 30 DMC colours Download the zip file HERE |
0940 Vincent & Catherine Portrait based on Clare Sieffert Stained Glass 112w x 102h 30 DMC colours Download the zip file HERE |
0941 Olivia Portrait Rose 31w x 31h 4 DMC colours Download the zip file HERE |
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0910
 Vincent's
Window
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Vincent  | Catherine
 | Father
 | Mary
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Mouse
| Pascal
 | Paracelsus
 | Narcissa
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Winslow
 | Jamie
 | William
 | Elliot
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Peter  | Diana | Devin |
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 0961 Vincent Valentine Key Chain Cross stitch pattern for key chain blank 30w
X 35h count
3 DMC colours Measures 1/4" X 1 1/2" (3cm x 3.2 cm) on 28 count canvas Download the zip file HERE |
   0962 Vincent Walking Bookmark, keychain fob, or..? 25w X 63h 1 DMC colour Download both version in
a zip file HERE
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 0963 Vincent & Catherine Keychain 60w x 43h 7 DMC Colours Download the zip file HERE |
  0964
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 0984
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 0983 WFOL 2012 26w x 80h 7 DMC Colours Download the zip file HERE |
 0982 WFOL 2011 26w X 87h 7 DMC Colours Download the zip file HERE |
 0981 WFOL 2010 53 x 100 5 DMC colours Black canvas Download the zip file HERE |
 0980 WFOL 2009 85w x 94h 7 DMC colours Black canvas Download the zip file HERE |
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About the bookmarks Any embroidery floss of the approximate colour can be used. If you wish to match non-DMC floss, download this compact DMC Floss Chart (pdf) to use as a guide. Embroidered bookmarks may be viewed in the Treasure Chambers Museum Fabric Art section. Aida banding can be purchased by the yard online, in various colours and borders, directly from DoveStitch, Massachusetts, USA, who will ship internationally. Click on the icon below to go directly to the banding page. An information page about the Aida banding / Ribband, with comparisons and tips for use, can be downloaded here  About cross-stitch Cross stitch embroidery is probably the easiest embroidery to learn. Since the advent of computers and cross-stitch software, this art form has become a favourite of fabric artists. Images can be adapted to create photo-like embroideries of great complexity and beauty. Cross stitch patterns are created on a grid, making them easy to follow via a printed pattern and key. Although special stitches, such as back stitch or French knots can be used in addition to cross stitch, the basic "X" can be used exclusivlely. Any fabric art created on a grid can be adapted to cross-stitch. Hooked rug patterns, for instance, make wonderful miniature cross-stitch embroideries.
Stitching Cotton floss is generally used in cross-stitch embroidery. The most commonly available manufacturer is DMC, manufactured in Europe and North America, which has over 300 numbered colours. Skeins provide 8.7 yds (8 m) of 6 strand floss. The number of strands used depends on how fine the count (stitches to the inch/cm) of the canvas. The higher the count, the finer the canvas. Because floss will fluff and thin as it is pulled through canvas, many people draw the strand(s) through beeswax before using it. A very light-coloured beeswax is best, since it won't impart any colour to the embroidery. When the embroidery is finished, the beeswax may be melted off the front of the work using a paper towel and hot iron. Leave the beeswax on the reverse side of the work and use the iron to press waxed floss ends away from the edges of the embroidery into the middle, in preparation for framing. The basic cross stitch is worked diagonally across a block, defined as the area between four holes which form the corners of a square. The diagram below illustrates the stitch. A half stitch uses just one arm of the "X" and a quarter stitch, half of one arm (to the middle of the canvas square). Various techniques can be used to stitch the "X". Some patterns recommend stitching a row of one arm of the "X" across, and then reversing to do the other arm. This technique is impractical in any pattern with several colour changes across a row. Many so-called experts recommend always stitching the arms of "X" in the same direction. This gives a very uniform look to a finished work, but can be a detriment when a block of the same colour is used, for instance, in a face. The uniformity of the stitching then becomes clearly visible. It is far better to vary the direction of the stitches. The finished work then gains a slight texture which makes individual stitches less obvious. Varying the stitch also allows more flexibility in working the pattern, and can save a significant amount of floss in the long run. Some people like to begin an embroidery in the middle of the image (which can be indicated on the printed pattern), others like to begin at the upper left corner. Most patterns are designed to be worked from the upper left. Small patterns which do not fill the canvas completely with stitches (see finished Vincent and Catherine portrait at the top of this page), are easier to stitch from a middle point.
Canvas For those unfamiliar with cross-stitch canvas, it is manufactured especially for this kind of embroidery. DO NOT use linen weave canvas for any patterns on this site, as the weave is not uniform and the finished piece will be distorted. Aida or cross-stitch canvas has a very uniform, even weave with holes at warp and weft intersections. These are used to stitch the basic "X" used in all cross-stitich embroidery. Canvas is measured in count, or the numer of stitches (holes) to the inch. Counts range from 10 stitches to the inch (very large) to 32 (petit point). Common counts are 14, 18 and 22. The canvas is available at specialty stores in many colours, and of both 100 percent cotton, and cotton/acrylic blends. 100 percent cotton is stiff and holds its shape well while being stitched. Lugana and similar acrylic blends are very supple and may be awkward to use without an embroidery frame. All fabric canvas frays at the edges and must be treated to prevent this.
Size Cut a piece of canvas larger than the finished embroidery (as per pattern information for canvas used), but with no more than a 2 -3 inch (5 - 8 cm) border. Fold the canvas in half, then half again in the opposite direction. Mark the middle with a pencil dot. Then count half the stitch count in each of the four directions and make a mark. Extend the marks across the canvas to get a penciled frame the size of the embroidery. When you begin to stitch, do so in the upper left on the reverse side to the pencilled frame. Preparing the canvas It is best to finish the edges of the canvas before beginning, to prevent fraying, especially if (like me) you don't use an embroidery frame. Thread a needle and blanket stitch through alternate holes on all four edges of the canvas. Strengthening the edge will also make it easier to stretch the finished embroidery for framing. Some people tape the edges with masking tape to prevent fraying. Stitching the edge using a sewing machine is not advised since it does not secure the edge as well as hand stitching.
Framing Although special deep frames for embroidery may be purchased, they're expensive, and hide the details of your work. Regular picture frames can also be used, and unique ones can often be found in second hand stores and thrift shops. They do not need glass, in fact glass squashes the stitches, and hides details, as well as making them difficult to photograph. But if the frame has glass, keep it to stabilize the embroidery and keep it firm in the frame from the back. First stretch and stabilize the embroidery. Cut a piece of card the same size as the glass or backplate, then using button or heavy thread, stitch back and forth firmly across the back, well in from the finished edge, until the embroidery is stable without distortion. Knot the thread well. Adjust the embroidery as needed to centre it. Then place the glass behind the stretched embroidery before inserting the back plate. |
